Life in Twelve: Remembering Comrade Sher Singh
April 16, 2025
Co-founder and editor of Faridabad Mazdoor Samachar newspaper, Sher Singh worked for about four decades to make this newspaper the voice of labourers.
Work as a social, political, and intellectual idea, and exploring its history and evolution through a feminist lens.
Co-founder and editor of Faridabad Mazdoor Samachar newspaper, Sher Singh worked for about four decades to make this newspaper the voice of labourers.
In Between Us/ Humare Beech Mein is a conversation between two women about making a film on caste. How do we film caste? What do we show? What do we hide? Who has access? Who refrains?
In Episode 2, Listen to Beta Kiska, which gives birth to a metaphor you’ll never forget.
Where Anita brings us stories from the field, stories that became part of Nirantar’s Pitara as pieces of fiction that had an uncanny resemblance to lived realities. Each story is shared with women’s collectives in the rural and semi-urban areas, to spark off unlikely, sometimes unnerving conversations.
Feminist economists had long focused on time as a measure of work, or more specifically, as a measure of enumerating women’s work, even before we zoomed in on the endless time and labour women continued to expend on doing, doing, doing as the world ‘stayed at home’ during the pandemic.
The Third Eye’s new series, Back Story, breaks down research, praxis, and lesser-know insights for a wider, non-academic audience, to help us all make sense of the world with a little more wonder, a little more depth. In Episode 1, we meet Panchali Ray, author of Politics of Precarity…
“If everyone grew food on their balconies and terraces, we would have enough food to eat.” We are in a classroom, invited to sensitise urban students about rural India. The student’s statement drops like a silent bomb.
When a teacher asked her students to think about the concept of confinement the last thing she expected was for most of them to shoot videos of their mothers.
Can a girl choose who or how she wants to love? Can a boy choose who he wants to marry? If a girl says ‘I do’ to her partner and both of them consensually fall in love before the legal age of marriage, is there space for that love to exist?
In cinema, the working woman is often managing the twin axes of shame and pride. What is the work she is supposed to do? What is she not? We take two cinematic pieces- which focus on women and work…