Our special episodes are a deep dive into The Third Eye’s editorial. One episode addresses women’s labor, second one addresses the anxiety of living alone in the pandemic, another episode is a query on caste through the lens of privilege and yet others are fiction stories especially re-imagined for oral storytelling in the contemporary times.
“Baba, how does one become a Bayen (witch)?” Bhagirath asks his father Malinder near the dead lake as the shadow of his estranged mother looms over him. The recollecting of who his mother was and how she was ostracized as a witch from the Dom community in this story by Mahasweta Devi, is the unfolding of the myth of Bayen and the reality of witch-hunt.
My workplace is a prison. My client is the prisoner. Who am I?
There are many kinds of social workers, but the kind that works in prisons is often asked, “Why would anyone work for prisoners?” “Is my son doing okay? Ask him to come meet me next week.” “Madam, there is no vacancy in the shelter home, especially for a mentally disabled woman. Now what to do?”
Savarnas don’t know caste—the same way a fish does not know water. When you breathe, see, feel, and thrive within a system, it is difficult to notice it, let alone know it. How does a fish then know water? By starting to know itself, of course.
Meena, Annie and Nayantara–‘the three girls from St. Agnes’–feel that they rule the world. They are dancers, they light cities on fire travelling from festival to festival, they revel in each other, and oh that glory–friendships.
When going into the cinema turned into clicking through OTT platforms during the pandemic, we adapted to the 1920 x 1080 screen size and relegated the good ol’ Talkies to nostalgia. But cinema is not only a medium for story-telling, is it? It also stands as a character, bearing witness to a changing city—who enters, who leaves mid-way, and who stays.
As the outside slowly opens up to life after the deadly second wave of the pandemic, the inside is still grappling with absence, loss, death, fear and loneliness. This episode we meet people who navigated, and continue to navigate these feelings on their own.
Kaam ya Aaraam? Is that a gendered question?
