
Meet The Caseworkers: Episode 3, Hameeda Khatoon
In this episode, meet Hameeda from Sadbhavana Trust in Lucknow, who sees samjhauta (settlement) as a tool, in order to try out new ways to negotiate.
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Where we see video explorations, co-created, curated, learner generated, to make visible various, hidden Indias.
In this episode, meet Hameeda from Sadbhavana Trust in Lucknow, who sees samjhauta (settlement) as a tool, in order to try out new ways to negotiate.
History syllabi tell us how Bharata thought of this dance at the behest of the gods; in the theory hours we utter slokas listing physical features that make one an ideal dancer, and in the practical classes we strive for angashuddhi (purification of limbs or movements).
“A library is not about buying shelves and putting in books. Anyone can do that! It’s about how one can put their heart and soul into it. You have to invest dil se.”
What does it take to make your own short film? Lights, camera, action—you might say, and a lot of passion. When young learners from Nirantar Trust’s Tarang centre watched a YouTube short, they got excited and said, “We also want to make a film!” A few months later, they made their first short, holding a mobile camera for the first time.
Asnara walks to the FACE centre, crossing puddles and also generations of women from her community making and selling beedis. Beedi-making is a common household occupation for women and girls in Pakur, Jharkhand where Asnara lives with her family.
Welcome to the second edition of our Teacher Talks series where we meet first generation learners who share their stories of their own education and of teaching in centres for informal education.
Baby Halder’s life was not an ordinary one. Leaving behind a husband and decades of violence, she was thrust into the uncertainty and loneliness of a new city, about which she has spoken of many times over the years.
Rafina’s parents call her a free bird. What happens when this free bird goes back to her nest and investigates all that helped her ride the wind? Wearing the heavy hats of both filmmaker and daughter, Rafina asks tough questions to her parents amidst birthday cakes, cows, and abstract drawing books in this autobiographical documentation.
How do objects become precious to us? How can one object hold the multitude of our desires, dreams, fears, aspirations and inhibitions– sometimes pushing us away and sometimes propelling us towards itself?
In 2005, a committee of teachers, academicians, NGOs and practitioners were invited by NCERT to write new textbooks for middle schools. Those Social Science textbooks have been in circulation and in classrooms for 15 years. In 2022, some of the work the committee did in chapters around caste was deleted.