Where feminist theory comes out to play, where the ism itself is gloriously complicated in the actual living of lives; radical, messy, round shapes in square holes. We look at collectives, communities, protests, articulations of self and everyday, paying attention to seasons and emotions, finding the feminist cosmos in raindrops.
Harjant Gill, a documentary filmmaker and scholar who has made multiple documentaries on Indian masculinity(ies), says, “One of the challenging things about talking about masculinity is that you engage men in this conversation and they don’t really know where to go with it, or like, how to even interrogate it…
Work on gender in the development and social sector has traditionally engaged with women and girls. It was only in the mid-90s that some NGOs started working with men and boys on issues of gender. One of the first entry points for this was population control and reproductive health where they were encouraged to use condoms and to accompany their pregnant wives to healthcare centres.
Words scraped against my brain as I Iay down, exhausted, in my stark white hostel room. I tried to find comfort in the lingering smell of the oil my roommate was massaging her knees with—that smell spelt care. Setting my alarm for five the next morning, my innards groaned.
It is often said that a film should either entertain, engage, or educate (not in the same order though). And in our country, one obsessed with cinema, we expect a film to entertain us and make everything larger than life and extraordinary.
One evening, last year, I finally coaxed my mother to sit down and take pause from constantly running around the house. I had been following her around for days to have this conversation. Sometimes, she silently smiled, and at other times, she eluded me. But that evening, she let her guard down.
During COVID, when almost everything was closed in Bhopal, we began delivering books to children by going door-to-door. Adults in the family took to reading those books too.
Hi, my name is Sri Vamsi Matta, or simply Vamsi. I am a Bengaluru-based theatre artist who has been involved with the theatre fraternity for over a decade. Post my graduation from the Indian Institute of Science, Bengaluru, theatre became an integral part of my life and a full-time profession.
The development of Urdu prose and journalism and the parallel agenda of social reform in 19th-century Hyderabad played a vital role in setting the ground for the emergence of the Progressive Writers’ Movement a few decades later.
Hyderabadi women have been writing in Urdu since the second half of the 19th century. This in itself is not unusual; for, women in other places as well, such as Bengal and Bihar, were writing around the same time.
“This is Asur Akhra Radio, we will dance… we will play… we will sing…” In the bazaars of Latehar and Gumla districts, some 200 km from Ranchi, Jharkhand, the energetic beating of drums and the collective voices of women draw market goers towards them.
