For the first time in 17 years, Vidhi is travelling alone for a workshop. What adventures and discoveries await her? Is she prepared for all that her inner world will reveal?
‘Do you live alone? Or with someone?” This question takes on an unexpected weight when Ruhani brings her college friend, Ankita, home. What will be said? Can friendship survive silenced desires?
A tuition class takes no time to transform into a jungle in the absence of the teacher and shy Jehan is an easy prey for the young bullying girls of Pakur, Jharkhand. If you have ever wondered if Gossip Girl could be set in rural India, this episode is your answer.
Where does one actually receive sex education? How does one know what to do and what to expect on the first night after marriage? F se Field, Issh se Isshq is a series of audio stories emerging from the lived realities, desires and fantasies of young and middle aged persons engaged in development and education work.
Is blood thicker than semen? When a mother finds out her daughter’s worst and most poorly-hidden secret, what will she do?
F se Field, Issh se Isshq is a series of audio stories emerging from the lived realities, desires and fantasies of young and middle aged persons engaged in development and education work, living on the rural-urban spectrum.
Can a playful joke turn into a moment of revelation for two mischievous friends? We bring to you a taste of what it means for a young adult to feel all the feelings, straight from Pakur, Jharkhand.
F se Field, Issh se Isshq is a series of audio stories emerging from the lived realities, desires and fantasies. All these narratives help us understand our encounters with sexuality by centering the psyche.
Sounds of mourning and celebration are overlapping in the neighbourhood. Sharafat Bhai’s life is going to change completely after his first wife’s death as he is set to marry a younger girl. Will the doe-like youthful beauty that he adores and worships age well? Or, will time play its game and turn happiness into jealousy? Sexuality is, after all, a fickle mistress.
A teacher walks the aisle of the classroom with a stick in his hand, waiting to use it on anyone who falters in their dictation test. Bhisham Sahni opens this scene of a classroom in his story ‘Imla’ where the same teacher when positioned outside the classroom changes his walk and talk. How do the structures of power change around the same teacher?
