A teacher walks the aisle of the classroom with a stick in his hand, waiting to use it on anyone who falters in their dictation test. Bhisham Sahni opens this scene of a classroom in his story ‘Imla’ where the same teacher when positioned outside the classroom changes his walk and talk. How do the structures of power change around the same teacher?
In this new episode of Bolti Kahaniyan, Dipta Bhog narrates ‘Hekdi’, a story by writer Vijaydan Detha. This story is taken from the Hindi translation of his anthology ‘Batan Ri Phulwadi’ published by Rajasthani Granthagar.
A young girl employs a clever strategy to get her family’s support for higher education. But she soon discovers that her father is one step ahead of her and thus unravels this love–hate relationship between a father and daughter.
“Chhoti Bahuuu! Arre o Chhoti Bahu!”—is all one hears in the house from dawn to the end of day. Once a mischievous student, Sundari wears many different hats at home, in public, and at work, but there’s one that wears her out.
In the second “Hostel Diary”, Vikas recounts pursuing a crush during his time in Jodhpur with a bittersweetness that can only be afforded by young desire. Although he desperately wants to maintain his “good boy” image, the thrills of Hike Messaging and secret rendezvous might just be too tempting to resist.
As Vikas walks from his own Khatri Hostel to the Oswal Hostel for high speed movie downloads using a newly installed Jio tower, he observes how caste, class and gender divide access to spaces in the city, offline and online.
All education and science is forgotten when a young, unmarried girl misses her period. As doctors, teachers, family members and friends intervene and interpret, conjectures are made and confusion and fear abound.
A (social) earthquake of epic proportions rocks Geeta’s colony. A girl in the neighbourhood has eloped with a boy from another caste. The aftershocks will now be felt in every other house in the area.
This young man has passed the board examinations, but the real challenge is to resist his family’s pressure for arranged marriage. Here’s a tale of confusions, anxieties, and frustrations that go into the making of a man finding his voice.
In this series, we bring you gender stories from Nirantar’s archives as well as from the Hindi fictional world at large. These stories have been used in facilitation by various gender groups, and are also great conversation starters for difficult, tricky and conflicting issues that emerge while working with communities.
