Where we see sound explorations, podcasts, stories, radio essays, which help build a grassroots to policy level conversation around gender and patriarchy.
What are the bargains we make, the samjhautas we strike, the deals we despair in, to feel safe, to feel loved? In this story, a caseworker from Bundelkhand takes us through the many rooms she has lived in, and asks, which room is mine?
In this new episode of Bolti Kahaniyan, Dipta Bhog narrates ‘Hekdi’, a story by writer Vijaydan Detha. This story is taken from the Hindi translation of his anthology ‘Batan Ri Phulwadi’ published by Rajasthani Granthagar.
Savarnas don’t know caste—the same way a fish does not know water. When you breathe, see, feel, and thrive within a system, it is difficult to notice it, let alone know it. How does a fish then know water? By starting to know itself, of course.
When Muskan said “Hamare yahaan yeh sab chalta hi nahi hai” (These things aren’t allowed in our areas), we couldn’t help but notice that she said it for feeling love as well as anger.
Sahiba learns from Google, calls it her teacher and navigates her everyday—from getting things done to finding about her mental health—on Google.
In feminist organisations and within the academic discourse, we sit with the term ‘safe space’ quite often and roll it in our mouth to reiterate how multifarious and ever changing that term is.
‘Mera Chashma, Mere Rules’, a three-episode podcast produced by The Third Eye in collaboration with Partners for Law in Development (PLD), brought 4 girls between the ages of 18–20, hailing from different religions, states, social and familial setups to discuss the range of adolescent experiences which seldom become the subject of policy discussion.
A young girl employs a clever strategy to get her family’s support for higher education. But she soon discovers that her father is one step ahead of her and thus unravels this love–hate relationship between a father and daughter.
“Chhoti Bahuuu! Arre o Chhoti Bahu!”—is all one hears in the house from dawn to the end of day. Once a mischievous student, Sundari wears many different hats at home, in public, and at work, but there’s one that wears her out.
In the second “Hostel Diary”, Vikas recounts pursuing a crush during his time in Jodhpur with a bittersweetness that can only be afforded by young desire. Although he desperately wants to maintain his “good boy” image, the thrills of Hike Messaging and secret rendezvous might just be too tempting to resist.
