In this new episode of Bolti Kahaniyan, Dipta Bhog narrates ‘Hekdi’, a story by writer Vijaydan Detha. This story is taken from the Hindi translation of his anthology ‘Batan Ri Phulwadi’ published by Rajasthani Granthagar.
History syllabi tell us how Bharata thought of this dance at the behest of the gods; in the theory hours we utter slokas listing physical features that make one an ideal dancer, and in the practical classes we strive for angashuddhi (purification of limbs or movements).
Words scraped against my brain as I Iay down, exhausted, in my stark white hostel room. I tried to find comfort in the lingering smell of the oil my roommate was massaging her knees with—that smell spelt care. Setting my alarm for five the next morning, my innards groaned.
Savarnas don’t know caste—the same way a fish does not know water. When you breathe, see, feel, and thrive within a system, it is difficult to notice it, let alone know it. How does a fish then know water? By starting to know itself, of course.
During COVID, when almost everything was closed in Bhopal, we began delivering books to children by going door-to-door. Adults in the family took to reading those books too.
As Vikas walks from his own Khatri Hostel to the Oswal Hostel for high speed movie downloads using a newly installed Jio tower, he observes how caste, class and gender divide access to spaces in the city, offline and online.
Hi, my name is Sri Vamsi Matta, or simply Vamsi. I am a Bengaluru-based theatre artist who has been involved with the theatre fraternity for over a decade. Post my graduation from the Indian Institute of Science, Bengaluru, theatre became an integral part of my life and a full-time profession.
I once had a student who didn’t speak much and said only what she wanted to say and even then, very little. She wasn’t shy or afraid to speak. She was just so careful with words that she refused to speak until she knew exactly what she wanted to say.
This is a reported piece on the student groups at IITs, who work on educating and building awareness around caste-based discriminations in Indian institutes of eminence, particularly engineering institutes. These groups work under the larger aegis of Ambedkar Study Circles, which exist outside campuses too.
In the two part masterclass on caste, we search for obvious and subtle ways caste plays out in the ways mainstream cinema constructs society. We explore standpoints – of filmmakers, films, and images to discover shifting points of view in the ways cinema shows (and hides) caste.
