In this episode, meet Rajkumari Prajapati from Lalitpur, Uttar Pradesh. In 2008, 19-year-old Rajkumari joined Sahjani Shiksha Kendra as a teacher, where she taught girls and women in a residential school. Since then, she handles cases as a caseworker and also makes films with The Third Eye.
In this episode, meet Shabina Mumtaz from Banda, Uttar Pradesh. Shabina has been working with Vanangana NGO for 17 years on gender based violence cases. She says, “I do this work to process my own feelings and help others break free from instances of violence, focusing more on mental and sexual violence.”
In this story, a caseworker walks us through her Sunday, that day of the week when she takes her son to visit her husband’s village. What awaits her there are the probing questions of neighbours as well as the calming presence of her best friend – a Mahua tree.
The easiest thing to tell a woman in a violent marriage is to just leave. But is leaving always that simple? From financial vulnerabilities to a loss of kinships, to a turbulent clash of hope and fear, to a complex interplay of love and desire, the decision to not leave are also stories that need to be heard.
Kya Hai Yeh Samjhauta works with material of the everyday, scraps of cloth, needle thread and the timbre of human voices (“The voices of the caseworkers animate the dolls, and is the documentary part of this,”) to explore these questions. The scraps of cloth in turn, animate the grain of the voices, to gesture at the many choices women make when faced with domestic violence.
The easiest thing to tell a woman in a violent marriage is to just leave. But is leaving always that simple? From financial vulnerabilities to a loss of kinships, to a turbulent clash of hope and fear, to a complex interplay of love and desire, the decision to not leave are also stories that need to be heard.
What are the bargains we make, the samjhautas we strike, the deals we despair in, to feel safe, to feel loved? In this story, a caseworker from Bundelkhand takes us through the many rooms she has lived in, and asks, which room is mine?
The easiest thing to tell a woman in a violent marriage is to just leave. But is leaving always that simple? In this story, a caseworker who stays in a violent marriage herself – take us through her own samjhauta with herself to make meaning of the biggest contradiction of her life.
What are the bargains we make, the samjhautas we strike, the deals we despair in, to feel safe, to feel loved? In this story, a caseworker from Bundelkhand takes us through the many rooms she has lived in, and asks, which room is mine?
In this episode, meet Hameeda from Sadbhavana Trust in Lucknow, who sees samjhauta (settlement) as a tool, in order to try out new ways to negotiate.
