Where feminist theory comes out to play, where the ism itself is gloriously complicated in the actual living of lives; radical, messy, round shapes in square holes. We look at collectives, communities, protests, articulations of self and everyday, paying attention to seasons and emotions, finding the feminist cosmos in raindrops.
One evening, last year, I finally coaxed my mother to sit down and take pause from constantly running around the house. I had been following her around for days to have this conversation. Sometimes, she silently smiled, and at other times, she eluded me. But that evening, she let her guard down.
During COVID, when almost everything was closed in Bhopal, we began delivering books to children by going door-to-door. Adults in the family took to reading those books too.
Hi, my name is Sri Vamsi Matta, or simply Vamsi. I am a Bengaluru-based theatre artist who has been involved with the theatre fraternity for over a decade. Post my graduation from the Indian Institute of Science, Bengaluru, theatre became an integral part of my life and a full-time profession.
The development of Urdu prose and journalism and the parallel agenda of social reform in 19th-century Hyderabad played a vital role in setting the ground for the emergence of the Progressive Writers’ Movement a few decades later.
Hyderabadi women have been writing in Urdu since the second half of the 19th century. This in itself is not unusual; for, women in other places as well, such as Bengal and Bihar, were writing around the same time.
“This is Asur Akhra Radio, we will dance… we will play… we will sing…” In the bazaars of Latehar and Gumla districts, some 200 km from Ranchi, Jharkhand, the energetic beating of drums and the collective voices of women draw market goers towards them.
It was 1989. I think. I had been asked to speak to a group of women who worked in NGOs across Tamil Nadu. The meeting was organised by Legal Resources for Social Action (LRSA), a group in Chinglepet not far from Chennai. I was to unpack the historical contexts of legislation that pertained to women’s lives.
On Dr. Ambedkar’s 131st Birth Anniversary, The Third Eye asked a few professors and teachers about how Dr. Bhimrao Ambedkar influenced their teaching.
I once had a student who didn’t speak much and said only what she wanted to say and even then, very little. She wasn’t shy or afraid to speak. She was just so careful with words that she refused to speak until she knew exactly what she wanted to say.
Srija’s Mind Map is imagined by Devika Sundar, an artist who works with art as a restorative, meditative medium, to express collective themes of invisibility, illness, memory and impermanence within personal and shared human experience.
