The third episode features Nidhi Suresh who takes us to Lakhimpur and Hathras, and makes visible the violence that takes place on the scene post the crime. She negotiates quid pro quo with local reporters and highlights the importance of slow and quiet questions even (and especially) when hordes of reporters are covering one story.
The second episode features Neetu Singh, who built her career with Gaon Connection, and by consistently challenging the notion that a journalist’s job stops at the report. With tremendous insight into how to work with local structures to get a job done, Neetu Singh reminds us that it all begins – and ends with – details, details, details.
The first episode features Priyanka Dubey, who talks to us about her journey of documenting violence and crime, her inner life and mental landscape after doing this job for the last 14 years, and how she carries grit and poetry to every scene of crime.
Nirantar Radio introduces a new show featuring F-Rated conversations aka, Feminist Rated Conversations. In Season 1 of F Rated Interviews, meet India’s intrepid women crime reporters, on journalism, ethics, gender, conflicts and some thrilling night rides under the sky.
A teacher walks the aisle of the classroom with a stick in his hand, waiting to use it on anyone who falters in their dictation test. Bhisham Sahni opens this scene of a classroom in his story ‘Imla’ where the same teacher when positioned outside the classroom changes his walk and talk. How do the structures of power change around the same teacher?
What are the bargains we make, the samjhautas we strike, the deals we despair in, to feel safe, to feel loved? In this story, a caseworker from Bundelkhand takes us through the many rooms she has lived in, and asks, which room is mine?
In this new episode of Bolti Kahaniyan, Dipta Bhog narrates ‘Hekdi’, a story by writer Vijaydan Detha. This story is taken from the Hindi translation of his anthology ‘Batan Ri Phulwadi’ published by Rajasthani Granthagar.
Savarnas don’t know caste—the same way a fish does not know water. When you breathe, see, feel, and thrive within a system, it is difficult to notice it, let alone know it. How does a fish then know water? By starting to know itself, of course.
A young girl employs a clever strategy to get her family’s support for higher education. But she soon discovers that her father is one step ahead of her and thus unravels this love–hate relationship between a father and daughter.
“Chhoti Bahuuu! Arre o Chhoti Bahu!”—is all one hears in the house from dawn to the end of day. Once a mischievous student, Sundari wears many different hats at home, in public, and at work, but there’s one that wears her out.
