People find a way to be nosy about others’ business everywhere. But there is one question that particularly disrupts Khushi’s peace of mind every single time. Like a pinch of salt on an old wound, the question has different answers as Khushi walks around in the streets of Lucknow.
In this series, we bring you gender stories from Nirantar’s archives as well as from the Hindi fictional world at large. These stories have been used in facilitation by various gender groups, and are also great conversation starters for difficult, tricky and conflicting issues that emerge while working with communities.
We have been meeting single women in small-town and rural India in our Ekal podcast series. In Episode 4, we meet a collective of single women in Marathwada, Maharashtra. What happens when the singular turns into a collective?
In the third episode of the series Bolti Kahaniyan, we bring to you the story—Aate Sane Haath. Everyone has the Right to Education, but what difficulties does a girl face in order to complete her education?
When going into the cinema turned into clicking through OTT platforms during the pandemic, we adapted to the 1920 x 1080 screen size and relegated the good ol’ Talkies to nostalgia. But cinema is not only a medium for story-telling, is it? It also stands as a character, bearing witness to a changing city—who enters, who leaves mid-way, and who stays.
Where Anita brings us stories from the field, stories that became part of Nirantar’s Pitara as pieces of fiction that had an uncanny resemblance to lived realities. Each story is shared with women’s collectives in the rural and semi-urban areas, to spark off unlikely, sometimes unnerving conversations.
