“फ se Field, श se Shiksha” is a series of 10 audio stories coming from the lived experiences and imaginations of education in rural India. Each episode offers a different take on education and its connections to caste, health, technology, and sexuality. How do we look at education outside classrooms? More importantly, who gets access to education at all?
How do objects become precious to us? How can one object hold the multitude of our desires, dreams, fears, aspirations and inhibitions– sometimes pushing us away and sometimes propelling us towards itself?
On Dr. Ambedkar’s 131st Birth Anniversary, The Third Eye asked a few professors and teachers about how Dr. Bhimrao Ambedkar influenced their teaching.
Srija’s Mind Map is imagined by Devika Sundar, an artist who works with art as a restorative, meditative medium, to express collective themes of invisibility, illness, memory and impermanence within personal and shared human experience.
Throughout the first Covid induced lockdown of 2020, Jyoti sent us her Vlogs. She would take her phone and walk around her village, as if looking for what she left behind. As a certified shehri ladki (city girl), she found herself at an intersection of gazes: looking, and being looked at.
On Pandita Ramabai’s 164th birthday, we bring you a rare glimpse into her life as an image maker and archivist. During the 19th century widow reformation movement, Pandita Ramabai set up Mukti Mission. Here, she created photographs that only archive a precious moment in feminist history, but also challenge the ongoing conjugality project that offer up alternatives to coupledom and the traditional family set-up.
Ruhaan’s Mind Map is imagined by Kalki, a transgender activist, artist, entrepreneur, poet, actor and inspirational speaker based in Tamil Nadu. Presenting our fourth Mind Map of the series, where Ruhaan and Kalki discover that helping put the past behind us may be the greatest reward of art.
In the two part masterclass on caste, we search for obvious and subtle ways caste plays out in the ways mainstream cinema constructs society. We explore standpoints – of filmmakers, films, and images to discover shifting points of view in the ways cinema shows (and hides) caste.
Acclaimed filmmaker Avijit Mukul Kishore, who is well known for his intimate portraits of people, places and changing urbanisms, leads The Third Eye’s flagship online curriculum called Filmy Shehar. Watch the second masterclass on Caste below.
This episode is a sensory treat as we enter the market of Patna with Swati urf Patnawali. From market to home, this is the story of each household where some things are looked down upon and others put on a pedestal. As Patnawali asks with tongue in cheek, “What about things one gets from the market? Do you know who made what?”
