The Marwari family mocks both Achuki’s aspirations as well as her mother’s lack of a formal education. Will Achuki be able to reason with them or is negotiation the only way?
Rafina’s parents call her a free bird. What happens when this free bird goes back to her nest and investigates all that helped her ride the wind? Wearing the heavy hats of both filmmaker and daughter, Rafina asks tough questions to her parents amidst birthday cakes, cows, and abstract drawing books in this autobiographical documentation.
How do objects become precious to us? How can one object hold the multitude of our desires, dreams, fears, aspirations and inhibitions– sometimes pushing us away and sometimes propelling us towards itself?
We are turning an inward eye to look at our mental experiences, and how they intersect with societal structures. In an attempt to move away from pathological and clinical readings and move towards lived experiences, our podcast series Mann Ke Mukhaute interweaves fictional stories and experiential voice notes.
We have been meeting single women in small-town and rural India in our Ekal podcast series. In Episode 4, we meet a collective of single women in Marathwada, Maharashtra. What happens when the singular turns into a collective?
Meena, Annie and Nayantara–‘the three girls from St. Agnes’–feel that they rule the world. They are dancers, they light cities on fire travelling from festival to festival, they revel in each other, and oh that glory–friendships.
In this 28-minute documentary, we meet Umra and Kulsum originally from Banda, Uttar Pradesh, and now firmly finding their feet in New Delhi. Between theories of gender and migration, diktats of danger and safety, lie the lived experiences of young women in big cities, pursuing an adventure as big as the skies they build their one room homes in.
Acclaimed filmmaker Avijit Mukul Kishore, who is well known for his intimate portraits of people, places and changing urbanisms, leads The Third Eye’s flagship online curriculum called Filmy Shehar. Watch the third masterclass on Queer in Hindi films.
In this episode, Virginia Woolf’s A Room Of One’s Own travels to the tehsil of Ajmer, Kekri in Rajasthan, and meets Annu, a 31-year-old woman who gives it her own meaning. What does this room look like today?
What does it mean to be a single woman, when it’s not in a metropolis? What are the experiences of being single, without the romanticisation of the urban? What is the nature of singlehood that may not yet be defined, but may be as rich as life itself?
