Film and masterclass

Age of Learning: A Film About A Mother’s Return to the Classroom

Many years ago, in the hills of Nepal, 12-year-old Shuvangi walked to school with her mother, who was headed to a classroom of her own. It was a school meant for adult education, and for some time, mother and child were students together. Her mother, eventually, had to give it up in favour of the responsibilities that awaited her in the household, and with it, the possibility of a different life eroded under the weight of duty.

Queering The Pitch: Life and Times of Saleem Kidwai

Queering the Pitch: Life and Times of Saleem Kidwai is a short film that traces the legacy of historian and writer Saleem Kidwai. Best known for co-editing Same-Sex Love in India, a landmark text in the fight against Section 377, Saleem’s life also opened up quieter, radical possibilities of the queer lens — ones that transcended binaries, rewrote cultural hierarchies, and made room for joy, complexity, and chosen kinship.

Documentary on Violence

This Documentary on Violence Explores the Social Geographies of Compromise in Women’s Lives

When filmmaker and doll maker, Hansa Thapliyal, worked with The Third Eye’s Learning Lab on creating a mixed media film out of the recordings of workshops for the Caseworker’s Dictionary of Violence, she asked, “Will I be able to go where these voices are?” Hence emerged Kya Hai Yeh Samjhauta? which works with the material of the everyday, scraps of cloth, needle thread and the timbre of human voices to bring alive the technicolour landscape in which womens’ compromises rest.

Female filmmaker documenting caste and gender dynamics in Uttar Pradesh's village life and social activism efforts.

In Between Us: A Film on Caste and Gender

In Between Us/ Humare Beech Mein is a conversation between two women about making a film on caste. How do we film caste? What do we show? What do we hide? Who has access? Who refrains?

A Lucid Dream from Bundelkhand

Kya Hai Yeh Samjhauta works with material of the everyday, scraps of cloth, needle thread and the timbre of human voices (“The voices of the caseworkers animate the dolls, and is the documentary part of this,”) to explore these questions. The scraps of cloth in turn, animate the grain of the voices, to gesture at the many choices women make when faced with domestic violence.

My Other Self is Plastic

One day, in the process of trying to understand the “digital”, Khushi observed that young Muslim girls around her would only show their hands in the Reels that they made and uploaded on social media.

Rumi, Didi and her Family: A Young Filmmaker Goes Home Again

Rafina’s parents call her a free bird. What happens when this free bird goes back to her nest and investigates all that helped her ride the wind? Wearing the heavy hats of both filmmaker and daughter, Rafina asks tough questions to her parents amidst birthday cakes, cows, and abstract drawing books in this autobiographical documentation.

Making Textbooks Feminist

In 2005, a committee of teachers, academicians, NGOs and practitioners were invited by NCERT to write new textbooks for middle schools. Those Social Science textbooks have been in circulation and in classrooms for 15 years. In 2022, some of the work the committee did in chapters around caste was deleted.

CITY GIRLS

In this 28-minute documentary, we meet Umra and Kulsum originally from Banda, Uttar Pradesh, and now firmly finding their feet in New Delhi. Between theories of gender and migration, diktats of danger and safety, lie the lived experiences of young women in big cities, pursuing an adventure as big as the skies they build their one room homes in.

Filmy Shehar: Ep 3 Queer in Cinema

Acclaimed filmmaker Avijit Mukul Kishore, who is well known for his intimate portraits of people, places and changing urbanisms, leads The Third Eye’s flagship online curriculum called Filmy Shehar. Watch the third masterclass on Queer in Hindi films.