The third episode features Nidhi Suresh who takes us to Lakhimpur and Hathras, and makes visible the violence that takes place on the scene post the crime. She negotiates quid pro quo with local reporters and highlights the importance of slow and quiet questions even (and especially) when hordes of reporters are covering one story.
The second episode features Neetu Singh, who built her career with Gaon Connection, and by consistently challenging the notion that a journalist’s job stops at the report. With tremendous insight into how to work with local structures to get a job done, Neetu Singh reminds us that it all begins – and ends with – details, details, details.
The first episode features Priyanka Dubey, who talks to us about her journey of documenting violence and crime, her inner life and mental landscape after doing this job for the last 14 years, and how she carries grit and poetry to every scene of crime.
In this new episode of Bolti Kahaniyan, Dipta Bhog narrates ‘Hekdi’, a story by writer Vijaydan Detha. This story is taken from the Hindi translation of his anthology ‘Batan Ri Phulwadi’ published by Rajasthani Granthagar.
In this series, we bring you gender stories from Nirantar’s archives as well as from the Hindi fictional world at large. These stories have been used in facilitation by various gender groups, and are also great conversation starters for difficult, tricky and conflicting issues that emerge while working with communities.
We have been meeting single women in small-town and rural India in our Ekal podcast series. In Episode 4, we meet a collective of single women in Marathwada, Maharashtra. What happens when the singular turns into a collective?
Sangita Jogi is a 24-year-old artist, construction labourer and mother of three currently living in Sirohi, Rajasthan. She is the author of The Women I Could Be, a new publication by Tara Books. It is a stunning piece of narrative art.
Where Anita brings us stories from the field, stories that became part of Nirantar’s Pitara as pieces of fiction that had an uncanny resemblance to lived realities. Each story is shared with women’s collectives in the rural and semi-urban areas, to spark off unlikely, sometimes unnerving conversations.
In cinema, the working woman is often managing the twin axes of shame and pride. What is the work she is supposed to do? What is she not? We take two cinematic pieces- which focus on women and work…
“Stay at home, stay safe. Just chill out at home, everyone told us,” murmur many young women in long distance phone calls, voice notes and Whatsapp messages, tenuous lines keeping us together during lockdown.
