The Third Eye is developed by a team of educators, documentary filmmakers, storytellers.
Head of Research, Innovation and Partnerships
Shabani is a writer and filmmaker, making non-fiction text, sound and images in various media since the year 2000. Her work engages with changing socio-political realities, volatile subcultures and intimate personal histories in an India-in-transition. A graduate in English Literature, Delhi University and post graduate from Mass Communication Research Centre, Jamia Millia Islamia, her feature documentaries include Being Bhaijaan (2014), Gali (2017) and Out of Thin Air (2009). She is an INLAKS Fellow, and worked at The Sundance Institute, Los Angeles and the Documentary Filmmakers Group, London, as part of the fellowship. She was a core editorial team member of Delhi’s First City magazine for over a decade. She has worked extensively with adolescent girls and women in rural India on social disruption through digital storytelling. She is a desktop art collector, and you can contact her for cutting edge screen savers.
Ruchika is a filmmaker and educator, with an interest in critical and creative pedagogical practices. Her films include Two Autumns in Wyszogród, Every Time You Tell A Story, Malegaon Times and ML 05 B 6055. She also works with sound and text based forms. She has been awarded artistic residencies at Khoj Studio, Delhi, Parco Arte Vivente Experimental Centre for Contemporary Art, Turin and Centre for Contemporary Art, Ujazdowski, Warsaw, and is the recipient of Charles Wallace India Trust Short – Term Fellowship, 2016. Ruchika taught in a documentary film program, the Creative Documentary Course (Sri Aurobindo Centre for Arts & Communication, New Delhi) from 2015 to 2019, and occasionally teaches film at the Ashoka University, Sonipat. Processes, methods, mediums excite her much more than their end results.
Consulting Editor, Digital Strategy and Partnerships
Nisha Susan is a writer and editor. She grew up in India, Nigeria and Oman and lives in Bangalore. She is the co-founder of two award-winning media companies, The Ladies Finger and Grist Media. She currently writes Cheap Thrills, a column on millennials, time and obsessions for Mint Lounge. She was formerly Features Editor, Tehelka magazine and also commissioning editor for Yahoo! Originals, a longform destination for Yahoo! India. Her non-fiction is focused on culture, gender and politics. Her fiction has been published by n+1, Caravan, Penguin, Zubaan and others and often explores the intimacy and strangeness that the internet has brought to India. Her first collection of short fiction The Women Who Forgot to Invent Facebook & Other Stories was published in August 2020.
Technical Head, Editorial Coordinator
Senior Content Editor, Hindi
Books and zest for reading led her to a Masters in Hindi Literature from Delhi University and a diploma in journalism from IIMC. She has worked at Big FM, as a reporter for Dainik Bhaskar where she wrote on films, culture and social issues, handled digital media in BBC Hindi, and as an editor with Rajkamal Prakasha and Drishti Publications.
She has translated as well as edited a number of bestselling books, including Devdutt Pattanaik’s Meri Geeta and Meghna Gulzar’s Woh Jo Hai. Culture, gender and education are her prime areas of interest.
Madhuri revels in storytelling and uses it as a tool to create dialogues between different communities and generations of women. When she is not recording or taking interviews, she is at her Kahaniyon Ka Adda on YouTube, finding and documenting everyday acts of rebellion. As a learner and a practitioner from the field of humanities, she constantly pushes to critically examine structures around her till she finds a way to talk about it over a cup of coffee.
Video Producer, Image Editor
Shivam is a photographer and filmmaker, who is constantly trying to make sense of the world from behind the camera. A graduate in Journalism & Mass Communication, IP University and post graduate from Mass Communication Research Centre, Jamia Millia Islamia, Shivam has previously worked with Film Companion and Memesys Culture Lab. You can find him archiving light and everyday frames that he captures on Instagram. He also likes not having to talk about himself in the third person.
Hindi Desk, Performance Artist
Rizwana is pursuing her Ph.D from Delhi University, and trying to understand the impact of travel in women’s writing. She has been part of Raschakr, a collective that presents public readings from women’s writings. Some of her public readings include Ham Khawateen, Haqeeqat aur Khwab, Mohobbat Zindabad and Har Qatra Toofan. She has worked with CARE as an assistant editor, and her articles have been published in various magazines.
Director, Nirantar Trust
Archana has more than 18 years of work experience in the areas of gender and education. In Nirantar, along with steering the organisational projects, her major involvement has been in researching and writing on issues of women’s empowerment and young people’s education and empowerment from a feminist perspective. Her engagement on these issues has further been strengthened by the work at the field level with women and girls belonging to marginalised communities. She believes in making research accessible to grass roots organisations and, thus, transcreates these into training and learning material for facilitators, field-based activists, and organisations.
Renuka has a Master’s degree in social work from Delhi University. After working as a psychiatric social worker in England she taught at Rajasthan University in the Department of Adult Education. In 1976 she started a bi-lingual journal on development issues called How / Kaise. During the publication of How she networked extensively with NGOs across the country. Jag Sakhi, a 12-part serial on Women and Empowerment was produced by Renuka in collaboration with CENDIT for UNICEF. She worked with Action India for over 10 years organizing agricultural labourers and stone quarry workers in Mehrauli, Delhi. She has been closely associated with the Mahila Samakhya programme from its inception as a trainer, resource person and evaluator. She is a founder member of Nirantar and has been closely associated with the development of Broadsheets for neo literate women, promoting innovations in Continuing Education and in writing of health curriculum for rural educators and learners. At present, she is engaged with deepening her understanding of Vedic texts and strengthening engagement of Sanskrit scholars working on these.
Sarojini has been working on public health and women’s health issues in India for the last three decades. She is one of the founders of Sama Resource Group for Women and Health that works at the intersection of public health, human rights and marginalization. She is the national co-convenor of Jan Swasthya Abhiyan, and coordinator of Gender Justice Circle of People’s Health Movement Global. She has led several studies, fact-findings and advocacy initiatives over the past two decades on health systems, medical and reproductive technologies, conflict and public health, access to medicines & ethics in clinical research, and most recently, on COVID 19 and its impact on the marginalised. Currently, she is part of the Expert Committee set up by National Human Rights Commission (NHRC) to assess the impact of C0VID-I9 pandemic on human rights and its future response.
Malini is one of the founder members of Nirantar. She has worked in the field of education and women’s rights for nearly 30 years in various capacities – as a grassroots practitioner, trainer, material and curriculum developer, researcher, and activist. She has helped design and implement various innovative education programmes for women, and reviewed and provided technical inputs to government and NGO interventions on Right to Education and in gender and education. She was a member of the National Resource Group (NRG) for the Mahila Samakhya programme and was part of NCERT’s textbook Writing Committee for Political and Social Life and Political Science Textbooks from 2005-2008. Her articles have been published in the Economic and Political Weekly, The International Review of Education and Gender and Development Journal. She is presently completing her PhD at the University of Goettingen, Germany.
Sarada is Associate Professor of Childhood Studies at Rutgers University, Camden. Trained in education and anthropology, her works draws from the lives of marginal children to historicise and disrupt hegemonic understandings of childhood including challenging the exclusionary logics that often underlie humanist interventions. Sarada’s research is broadly focused on postcolonial childhoods and engages marginal children’s experiences with compulsory schooling, labour, skilling, children’s rights discourses and pedagogies of ‘citizenship’. Her work has also involved efforts to translate her research interests into curricular and related interventions in elementary education in India. Between 2005-08, Sarada served as the Chief Advisor to the Indian government’s middle-school ‘Social and Political Life’ (earlier known as ‘civics’) textbooks. She is the author of Inhabiting ‘Childhood’: Children, Labour and Schooling in Postcolonial India (Palgrave, 2014). Her work has been published in numerous journals including Childhood, Children’s Geographies, Contemporary Education Dialogue and Feminist Theory. She presently serves as an editor of Childhood. Prior to joining Rutgers University, she was an Associate Fellow at the Centre for the Study of Developing Societies (CSDS), New Delhi.
THE INTERN ROLL Of HONOUR
The Third Eye Internship Programme offers a ringside view to developing art, writing and pedagogy with a feminist lens. We have a minimum three-month commitment criteria, and welcome folx at any stage of life and education.
Our Champion Interns:
Srija U, Namrata Mishra, Nangsel Sherpa, Achal Dodia, Chaitali Pant, Anisha