Baby Halder’s life was not an ordinary one. Leaving behind a husband and decades of violence, she was thrust into the uncertainty and loneliness of a new city, about which she has spoken of many times over the years.
In feminist organisations and within the academic discourse, we sit with the term ‘safe space’ quite often and roll it in our mouth to reiterate how multifarious and ever changing that term is.
In the second “Hostel Diary”, Vikas recounts pursuing a crush during his time in Jodhpur with a bittersweetness that can only be afforded by young desire. Although he desperately wants to maintain his “good boy” image, the thrills of Hike Messaging and secret rendezvous might just be too tempting to resist.
A (social) earthquake of epic proportions rocks Geeta’s colony. A girl in the neighbourhood has eloped with a boy from another caste. The aftershocks will now be felt in every other house in the area.
The Marwari family mocks both Achuki’s aspirations as well as her mother’s lack of a formal education. Will Achuki be able to reason with them or is negotiation the only way?
Rafina’s parents call her a free bird. What happens when this free bird goes back to her nest and investigates all that helped her ride the wind? Wearing the heavy hats of both filmmaker and daughter, Rafina asks tough questions to her parents amidst birthday cakes, cows, and abstract drawing books in this autobiographical documentation.
How do objects become precious to us? How can one object hold the multitude of our desires, dreams, fears, aspirations and inhibitions– sometimes pushing us away and sometimes propelling us towards itself?
We are turning an inward eye to look at our mental experiences, and how they intersect with societal structures. In an attempt to move away from pathological and clinical readings and move towards lived experiences, our podcast series Mann Ke Mukhaute interweaves fictional stories and experiential voice notes.
We have been meeting single women in small-town and rural India in our Ekal podcast series. In Episode 4, we meet a collective of single women in Marathwada, Maharashtra. What happens when the singular turns into a collective?
Meena, Annie and Nayantara–‘the three girls from St. Agnes’–feel that they rule the world. They are dancers, they light cities on fire travelling from festival to festival, they revel in each other, and oh that glory–friendships.
