The Marwari family mocks both Achuki’s aspirations as well as her mother’s lack of a formal education. Will Achuki be able to reason with them or is negotiation the only way?
How do objects become precious to us? How can one object hold the multitude of our desires, dreams, fears, aspirations and inhibitions– sometimes pushing us away and sometimes propelling us towards itself?
We are turning an inward eye to look at our mental experiences, and how they intersect with societal structures. In an attempt to move away from pathological and clinical readings and move towards lived experiences, our podcast series Mann Ke Mukhaute interweaves fictional stories and experiential voice notes.
We have been meeting single women in small-town and rural India in our Ekal podcast series. In Episode 4, we meet a collective of single women in Marathwada, Maharashtra. What happens when the singular turns into a collective?
Meena, Annie and Nayantara–‘the three girls from St. Agnes’–feel that they rule the world. They are dancers, they light cities on fire travelling from festival to festival, they revel in each other, and oh that glory–friendships.
In this episode, Virginia Woolf’s A Room Of One’s Own travels to the tehsil of Ajmer, Kekri in Rajasthan, and meets Annu, a 31-year-old woman who gives it her own meaning. What does this room look like today?
What does it mean to be a single woman, when it’s not in a metropolis? What are the experiences of being single, without the romanticisation of the urban? What is the nature of singlehood that may not yet be defined, but may be as rich as life itself?
What does it mean to be a single woman, when it’s not in a metropolis? What are the experiences of being single, without the romanticisation of the urban? What is the nature of singlehood that may not yet be defined, but may be as rich as life itself?
We spent an afternoon with Nidhi Goyal, stand-up comic and disability activist, who experienced blindness age 15 onwards. She talks about how her city Mumbai changed for her, how notions of safety become fluid when your navigation is defined by dependance, the un-gendering of disabled bodies, and invisible forms of violence that often come within homes and caregiving.
When going into the cinema turned into clicking through OTT platforms during the pandemic, we adapted to the 1920 x 1080 screen size and relegated the good ol’ Talkies to nostalgia. But cinema is not only a medium for story-telling, is it? It also stands as a character, bearing witness to a changing city—who enters, who leaves mid-way, and who stays.
